XXᵉ siècle
Lagos, Nigeria
Traduction non disponible · Original (anglais) · français indisponible
The Black Arts Festival in Lagos was a 1977 cultural event associated with the institutional development of cultural Pan-Africanism in independent Africa. It belonged to a broader series of official or semi-official festivals and conferences through which African states addressed literature, art, cultural identity, and the political significance of culture after independence.
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Le récit
The Black Arts Festival was held in Lagos in 1977. It appeared within a period when cultural Pan-Africanist events were becoming regular features of official or semi-official cultural life in Africa. The festival therefore belongs to the post-independence institutional history of African cultural politics, even though the extract does not provide details about its organizers or artistic programme.
The Lagos event followed the Black Arts Festival in Dakar in 1966 and stood alongside conferences in Dar es Salaam devoted to colonialism, African cultures, and Pan-African political organization. These events indicate that cultural questions were being addressed through state-linked institutions rather than remaining solely the concern of literary movements or individual intellectuals.
The festival’s historical setting was marked by unresolved tensions. African writers continued largely to publish in European languages, while foreign culture spread through cinema, television, and radio. Public cultural festivals consequently formed part of wider attempts to develop an authentic modern African popular culture while negotiating the continuing influence of European and American institutions.
XXᵉ siècle
Lagos, Nigeria
Traduction non disponible · Original (anglais) · français indisponible
The Black Arts Festival in Lagos was a 1977 cultural event associated with the institutional development of cultural Pan-Africanism in independent Africa. It belonged to a broader series of official or semi-official festivals and conferences through which African states addressed literature, art, cultural identity, and the political significance of culture after independence.
Poursuivre l’exploration
Le récit
The Black Arts Festival was held in Lagos in 1977. It appeared within a period when cultural Pan-Africanist events were becoming regular features of official or semi-official cultural life in Africa. The festival therefore belongs to the post-independence institutional history of African cultural politics, even though the extract does not provide details about its organizers or artistic programme.
The Lagos event followed the Black Arts Festival in Dakar in 1966 and stood alongside conferences in Dar es Salaam devoted to colonialism, African cultures, and Pan-African political organization. These events indicate that cultural questions were being addressed through state-linked institutions rather than remaining solely the concern of literary movements or individual intellectuals.
The festival’s historical setting was marked by unresolved tensions. African writers continued largely to publish in European languages, while foreign culture spread through cinema, television, and radio. Public cultural festivals consequently formed part of wider attempts to develop an authentic modern African popular culture while negotiating the continuing influence of European and American institutions.
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