IIᵉ siècle av. J.-C. – IIIᵉ siècle
Meroitic Sudan, east of the Nile
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Naqa was a substantial Meroitic settlement on the north side of the Wadi Awateib, about 30 km east of the Nile. It contained a remarkable group of temples, including the Lion Temple dedicated to Apedemek, a Kiosk influenced by Alexandrian architecture, and an Amun temple built in an Egyptian-derived plan but decorated in a distinctively Meroitic style. The site illustrates the synthesis of local, Egyptian, and Mediterranean traditions.
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Le récit
Naqa lay on the north side of the Wadi Awateib, approximately 30 km east of the Nile, and contained a town of considerable size. Although no excavation had yet been carried out in the settlement described here, the numerous mounds appeared to represent temples or public buildings. Three standing temples preserved different aspects of Meroitic culture and religious belief.
The Lion Temple was dedicated to the indigenous lion-god Apedemek and followed a recognizably Meroitic architectural type. Its east-facing entrance had pylons decorated with reliefs of Netekamani and Amanitare defeating enemies, while the walls showed the royal pair and Arikankharer worshipping a range of Egyptian and Meroitic deities. Apedemek’s unusual three-headed and four-armed form dominates the reliefs on the rear wall.
The nearby Kiosk belonged to a different architectural tradition. It resembled Egyptian kiosks and displayed strong Alexandrian influence, though some features suggest indigenous adaptation. A later date, possibly the third century AD, has been proposed for the building, but its relationship to the Lion Temple remains uncertain.
The Amun temple was built in the time of Netekamani and followed an essentially Egyptian plan, with an avenue of stone rams, pylons, a pillared court, and a sequence of rooms leading to the shrine. Its Meroitic hieroglyphic inscriptions and distinctively local scenes show how imported architectural models were transformed into a separate Meroitic artistic tradition.
IIᵉ siècle av. J.-C. – IIIᵉ siècle
Meroitic Sudan, east of the Nile
Traduction non disponible · Original (anglais) · français indisponible
Naqa was a substantial Meroitic settlement on the north side of the Wadi Awateib, about 30 km east of the Nile. It contained a remarkable group of temples, including the Lion Temple dedicated to Apedemek, a Kiosk influenced by Alexandrian architecture, and an Amun temple built in an Egyptian-derived plan but decorated in a distinctively Meroitic style. The site illustrates the synthesis of local, Egyptian, and Mediterranean traditions.
Poursuivre l’exploration
Le récit
Naqa lay on the north side of the Wadi Awateib, approximately 30 km east of the Nile, and contained a town of considerable size. Although no excavation had yet been carried out in the settlement described here, the numerous mounds appeared to represent temples or public buildings. Three standing temples preserved different aspects of Meroitic culture and religious belief.
The Lion Temple was dedicated to the indigenous lion-god Apedemek and followed a recognizably Meroitic architectural type. Its east-facing entrance had pylons decorated with reliefs of Netekamani and Amanitare defeating enemies, while the walls showed the royal pair and Arikankharer worshipping a range of Egyptian and Meroitic deities. Apedemek’s unusual three-headed and four-armed form dominates the reliefs on the rear wall.
The nearby Kiosk belonged to a different architectural tradition. It resembled Egyptian kiosks and displayed strong Alexandrian influence, though some features suggest indigenous adaptation. A later date, possibly the third century AD, has been proposed for the building, but its relationship to the Lion Temple remains uncertain.
The Amun temple was built in the time of Netekamani and followed an essentially Egyptian plan, with an avenue of stone rams, pylons, a pillared court, and a sequence of rooms leading to the shrine. Its Meroitic hieroglyphic inscriptions and distinctively local scenes show how imported architectural models were transformed into a separate Meroitic artistic tradition.
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